Birth of a New Book: On a Bed of Gardenias: Jane & Paul Bowles

The Steiny Road Poet is pleased to announce that Kattywompus Press of Cleveland Heights, Ohio,  will publish On a Bed of Gardenias: Jane & Paul Bowles by Karren LaLonde Alenier. This is a chapbook that is comprised of the poems from which How Many Midnights, her new work-in-progress opera libretto, is drawn. On a Bed of Gardenias is the love story of the two unconventional writers who Beat writers (e.g. Allen Ginsberg) say are their precursors.

THE GREATEST HITS CONNECTION

Getting a book of any size published by a reputable publishing house is very difficult. So the Poet would like to share her story about how her manuscript was invited by Kattywompus publisher Sammy Greenspan. For full disclosure, Kattywompus, a press that was founded by Greenspan in 2010, took over the Greatest Hits chapbook series from Jennifer Bosveld’s Pudding House Press where Karren LaLonde Alenier Greatest Hits 1973 – 2002 was originally published in 2003. So now, it is possible to find the Poet’s Greatest Hits chapbook at Kattywompus. 

The Poet met Greenspan and her associate editor Bonné de Blas at the Associated Writing Programs bookfair in Washington, DC, January 2011. In casual conversation at The Word Works AWP book booth, de Blas told the Poet about Kattywompus, including the fact that this publishing house now retained all rights to the Greatest Hits publications. Surprised, the Poet went to check out the Kattywompus display where the Greatest Hits chapbooks were standing in a vintage suitcase.

STRIKING OIL

In another old suitcase were the brand new books from Kattywompus and included among those chapbooks was Ode to Oil by Philip Metres, a poet the S. R. Poet had encountered through Word Works Washington Prize-winning author Fred Marchant at the 2010 Split This Rock festival. However, the first thought of the Poet in looking at Metres’ book was how interesting, poetry about crude oil—in another life, the Poet had worked on the audits of the major petroleum producers for the newly formed U.S. Department of Energy back in the 1980s.

Then Greenspan located Alenier Greatest Hits and the Poet offered to recite “Leo on Seesaw,” her number one greatest hit poem, which she has recited to good effect in places as far flung as a classroom in Xian, China, and this poem is the center piece of her first opera Gertrude Stein Invents a Jump Early On. After the recitation, the Poet told Greenspan and de Blas that she had a work-in-progress poetry manuscript about Jane and Paul Bowles. So this is how the invitation came about and Greenspan waited patiently while the Poet tried to decide what portion of the full-length Bowles manuscript she would send Kattywompus and part of that decision had to do with some problematic found poems.

THE SKINNY ON THE WOMPUS

Most writers want to know the behind-the-scenes story of any press who publishes them. Kattywompus writes a blog that, by all standards, seems to tell the naked truth about how they conduct business. For over-the-transom submissions versus invited manuscripts, Kattywompus charges a reading fee and this practice prevents the outstanding writerly resource Duotrope from listing  Kattywompus. Duotrope’s policy does not allow a member press to charge a reading fee to prospective authors. The fact is many reputable literary publishing houses are not listed at Duotrope, but have other credentials like being a member of Council of Literary Magazines and Presses. CLMP’s policy states that its members “do not charge authors a fee to publish their works.” All of this discussion hinges on the definition of vanity publishing, that is, authors who pay to get their work published. Vanity publishing usually means the work being published has not been vetted by the publisher and that it is a service-for-hire that anyone can buy.

The Steiny Road Poet is proud that Kattywompus editors, who are meticulous in their editorial process, stand behind On a Bed of Gardenias: Jane & Paul Bowles. Toward the end of 2011, the Poet expects that the Kattywompus website will make On a Bed of Gardenias available for purchase at $12 per copy plus postage. While there is no requirement from Kattywompus for their authors to sell their books, the Poet, for a limited period, will be happy to reserve, for anyone who emails her,  a discounted copy at $10 plus postage. Most likely the book will be available in January 2012.

Here is the poem, from which the title of the chapbook is drawn. It was originally published in The Innisfree Poetry Journal.

FLOWER: PAUL’S LOVE SONG

Because the hotel manager floated

scores of our favorite flower on the surface

of the swimming pool, Jane and I decided

to visit the Taxco market and buy enough

gardenias to cover our bed.

…......……......………………….At siesta careful

not to arouse staff sleepyheads, we carried two

baskets of blossoms in several trips

into the hotel and up the stairs. When the bed

became a sea of creamy white, we undressed,

lay down, drowned our senses.

How much is too much?

In the blue fluid of the pool Jane Bowles poked

her head, short curly hair winking red,

through the fragrant corollas—a swoon

of flower boats.

……………………Could a husband and wife, sheath

and knife, be joined in everlasting memory

on a perfumed spread of gardenias? She

with her women; me, Paul Bowles,

with my men.

Could I recreate those hours we lay

together?

In New York I furnished everything in white:

sofa, chaise longue, Ottoman, coffee table,

lamps, a polar bear rug. Then I sprayed

the drapes, and every pillow, every throw

with ambergris mixed with crushed

petals of gardenia.

…………......…....….Come back

from Taxco, I wrote to her. 

What price paradise?

Copyright © 2007 Karren LaLonde Alenier